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Englisch
24 Dokumente
Studierenden haben 24 Dokumente in diesem Kurs geteilt
Akademisches Jahr: 2020/2021
Hochgeladen von:
alpha omega senior college
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Text Vorschau
Technique Evidence Context Explanation Connection to
themes
Dialogue/Body
Language
When Neo says "I don't believe in
fate" it cuts to him with his fists
clenched.
During their initial
conversation,
Morpheus asks Neo
if he believes in
fate.
Neo's perspective suggests a
desire for self-determination
and an aversion to the notion
that his path is predetermined.
This gesture suggests
defiance and a
resistance to
Morpheus's control.
He believes he has
control over his
actions
Depth/Colour/
Lighting
Shot has a lack of discernible
depth — the walls of the tunnel
are too indistinct to evoke
distance, and the sheets of rain
pouring off the walls of the
overpass form a “wall” directly
in front of Neo that prevents
him from being able to see
farther than himself. There is
therefore a sense of immobility,
of being “trapped” within a
broader structure that cannot
be seen or articulated. Trinity’s
car, its tail lights glowing red,
violates the perfectly balanced
ecosystem of the frame from
the extreme foreground,
violates the hermetic and
colourless space of the tunnel.
It provides the means of escape
for Neo
High-Angle Shot
Extreme Close-
up/Contrast/Metap
hor
Close-Up Close-up shots are used on both
Morpheus and Neo throughout
the scene. This emphasises the
intimacy of their conversation
and the importance of their
individual perspectives.
Bullet Shot
Colour Grading – In
the Matrix
General Analysis –
This image is just
an example of the
film’s colour
grading
Any scene taking place within
the Matrix, is tinted a sickly
pale green. From the beginning
of the film they tie this colour to
a monotonous existence within
a predetermined system. This
green imagery is continued in
the way the Matrix is
represented in the real world; a
collection of green mundane
ambiguous symbols on a black
screen, flowing at a consistent
rate at all times. Adding to this
is harsh lighting, abundant
darkness, damp environments,
and reflective imagery within
the Matrix, giving the viewer a
sense of uneasiness.
Colour Grading – In
the real world
General Analysis –
This image is just
an example of the
film’s colour
grading
When the film takes us to its
version of the real world, the
colour grading tints blue. It
serves to humanise this
environment and to separate it
from the Matrix. And while it
brings a sense of hope to see
the human race still managing
to survive, it also brings the
sense of coldness and
depression. These are emotions
consistent with the plight of the
humans throughout the movie.
Similarly, a more natural soft
lighting scheme is used to
further humanise the
characters, with many reflective
surfaces tarnished and
imperfect, to give the viewer a
sense of the status of humanity.
War dieses Dokument hilfreich?
Technique Evidence Context Explanation Connection to
themes
Dialogue/Body
Language
When Neo says "I don't believe in
fate" it cuts to him with his fists
clenched.
During their initial
conversation,
Morpheus asks Neo
if he believes in
fate.
Neo's perspective suggests a
desire for self-determination
and an aversion to the notion
that his path is predetermined.
This gesture suggests
defiance and a
resistance to
Morpheus's control.
He believes he has
control over his
actions
Depth/Colour/
Lighting
Shot has a lack of discernible
depth — the walls of the tunnel
are too indistinct to evoke
distance, and the sheets of rain
pouring off the walls of the
overpass form a “wall” directly
in front of Neo that prevents
him from being able to see
farther than himself. There is
therefore a sense of immobility,
of being “trapped” within a
broader structure that cannot
be seen or articulated. Trinity’s
car, its tail lights glowing red,
violates the perfectly balanced
ecosystem of the frame from
the extreme foreground,
violates the hermetic and
colourless space of the tunnel.
It provides the means of escape
for Neo
